Setup guide
Dolby Vision on HDR10-only projectors & TVs with the HDfury Vertex² (LLDV)
The most popular thing Vertex² owners do: make an Apple TV 4K, Shield, Xbox or UHD Blu-ray player output Low-Latency Dolby Vision (LLDV) — Dolby Vision that is tone-mapped by the player, scene by scene — and hand it to a projector or TV that only understands HDR10. Below: how it works, the exact Vertex² settings, source and display settings, a troubleshooting list, and a table of 50+ projectors and 50+ TVs with recommended values.
On this page
- How LLDV on an HDR10 display works
- What you need (sources that can output LLDV)
- Vertex² setup step by step
- Source settings (Apple TV, Shield, Xbox, players)
- Projector / TV settings
- How to verify it's working
- Projector list (50+) with settings
- TV list (50+) with settings
- What Vertex² adds on TVs that already have Dolby Vision
- Samsung-specific notes
- Troubleshooting & gotchas
- FAQ
- Sources
1. How LLDV on an HDR10 display works
Dolby Vision comes in two flavours. TV-led (standard) DV sends the raw picture plus dynamic metadata inside an 8-bit RGB "tunnel" and lets the TV do the tone mapping — this only works on Dolby Vision displays. Player-led / Low-Latency Dolby Vision (LLDV) lets the source do the DV composition and tone mapping and sends the result as a normal 12-bit YCbCr 4:2:2 stream with a PQ (ST.2084) transfer function — which is exactly what an HDR10 display can show.
The trick is that a source only outputs LLDV if the display's EDID says it is a Dolby Vision (LLDV) sink. The Vertex² sits between source and display and presents a custom EDID with a Dolby Vision data block that describes your display: primaries, minimum and maximum luminance (Tmin / Tmax). The player then tone-maps every scene to those limits and sends LLDV. The Vertex² adds (or keeps) an HDR10 infoframe so your projector or TV switches into its HDR mode. As one AVForums owner puts it: "The Vertex² does nothing to the signal except spoof the EDID of the sink — the source does all the work."
The result is dynamic, per-scene tone mapping on a display that natively only has a single static HDR10 curve. That matters most on projectors (100–350 real nits) and on HDR10-only TVs like every Samsung, where DV-only streaming titles would otherwise fall back to static HDR10.
Is it worth it? Owners of older JVC X-series, Sony VW-series, Epson UB/LS and BenQ/Optoma DLP projectors overwhelmingly say yes — "a big step up from static HDR10", "rivals madVR/Lumagen for a fraction of the price". On displays that already have excellent dynamic tone mapping (JVC Frame Adapt, madVR/Lumagen owners, good OLEDs) the gain is smaller, and one reviewer measured worse colour accuracy from Apple TV LLDV than from native HDR10. Try both — the Vertex² lets you switch with one EDID change.
2. What you need
- An HDfury Vertex² (or Diva, Maestro, VRROOM, Arcana — same method; this guide uses Vertex² menus).
- An LLDV-capable source. Official HDfury list: Apple TV 4K (all generations), Nvidia Shield TV Pro 2019+ (firmware 9.1.1+, "Force LLDV" in developer options), Xbox One X/S and Series X/S, Sony UBP-X700 / X800M2 / X1100ES, Panasonic UB820 / UB9000, Oppo UDP-203 / 205, Fire TV Stick 4K / 4K Max / Cube, Chromecast with Google TV, Zidoo (VS10 engine). Only Apple TV 4K, Sony X700/X800M2, Oppo (disc), Fire TV ("Always HDR"), Roku 4K and Zidoo can also convert SDR and HDR10 content to LLDV; Shield, Panasonic and Xbox only output LLDV for native Dolby Vision content.
- A display that supports HDR10 (PQ / ST.2084), i.e. practically any 4K HDR projector or TV, including all Samsung sets.
- Good HDMI cables: 4K60 12-bit 4:2:2 LLDV is a full 18 Gbps signal — certified 18 Gbps copper up to ~3–4 m, fibre for longer runs. Most film content is 4K24, which older 10 Gbps projectors (Epson 5040UB/TW9300, Sony VW260/VW360) can also handle at 12-bit 4:2:2.
3. Vertex² setup step by step
All settings are in the Vertex² web server (type the IP address shown on the OLED into any browser — see the manual page on accessing the web server). Two routes exist: the quick route with a fixed Custom EDID, and the tunable route with Automix + a custom DV string. Start with the quick route; move to the tunable one if you want to set your own nits.
EDID tab — quick route: pick a fixed LLDV EDID
Set EDID mode = Custom and for each input you use, choose:
10 – Custom [SONY A1 LLDV BT2020]— BT.2020 primaries, full audio. Recommended for almost every projector and TV; it avoids the red push that DCI-P3 primaries cause.5 – Custom [SONY A1 LLDV V2]— DCI-P3 primaries. Use only if your display runs a calibrated DCI-P3 profile (e.g. JVC with the colour filter).9 – Custom (Panasonic OLED, full DV incl. LLDV, HDR10+)— used by some Samsung Premiere / 7.1-audio setups.- Never choose EDIDs labelled "HDR" only (11–13, 20–22) — they don't advertise Dolby Vision, so the player will not send LLDV.
Click SEND, then restart the source. With a fixed Custom EDID the values on the DV tab are not used.
EDID tab — tunable route: Automix + custom DV string
Set EDID mode = Automix. Video flags: tick the output your projector/TV is on (usually TX0). Audio flags: Stereo or Audio System depending on where your AVR is connected. Under DV flags select DV CUSTOM STRING (DV tab). Now the DV tab defines what the source sees. Tip: afterwards you can click "save active EDID as Custom EDID 10" to freeze the result and assign it per input.
HDR/DV tab — build the Dolby Vision data block
DV interface: Low Latency 12-bit YCbCr 4:2:2 (safe for every display; the "+ RGB/YCbCr 4:4:4" variant is not accepted as HDR by some TVs, e.g. Samsung 8K).Primaries: ITU-R BT.2020-2 (default). DCI-P3 only if your display is calibrated to P3 — otherwise expect a red/magenta tint. Advanced users type the measured primaries of their display.Max luminance (Tmax): start at 1000 nits. Projector owners tune it down to the real peak (JVC lamp 300–400, Epson LS12000 ≈ 332, DLP UST 500–600); very bright DLPs and Samsung Premiere use 4000–10,000. 10,000 effectively hands tone mapping back to the display.Min luminance (Tmin): 0.005 for projectors/LCD, 0.0005 for OLED; avoid 0 (black clipping/elevation).- Click CREATE, then SEND DV. The values are written into the EDID; the form itself does not remember them after reload — that is normal.
Reference strings owners use: EB:01:46:D0:00:45:1B:81:56:98:A9:53 = BT.2020, 0.005–1000 nits (Epson TW9400); EB:01:46:D0:00:45:03:80:86:60:76:8F = 900 nits, …03:40:86… = 500 nits, …03:28:86… = 350 nits.
HDR/AVI tab — inject HDR10 metadata when the input is LLDV
Tick "Use custom HDR for TX0 and TX1 when input is LLDV". This is the switch that makes your projector/TV enter HDR mode. Fill the custom HDR metadata: EOTF SMPTE ST 2084, Primaries ITU-R BT.2020-2 (same as the DV tab — mixing BT.2020 and P3 between the tabs causes red push), White point D65, Max luminance = your Tmax (1000), Min 0.005, MaxCLL = Tmax, MaxFALL = 400 (or 100 / 40 for 100-nit setups). Click CREATE IF, then SEND HDR.
Most projectors (JVC, Epson, Sony) ignore the luminance fields — only the HDR flag matters. DLPs with dynamic tone mapping (BenQ, Samsung Premiere) do react, which is why some owners set 10,000 nits here. JVC owners who switch modes via RS-232 macros leave this box unticked and use the MACROS page instead. See the manual: HDR/DV section for every field.
SCALER tab
Autoscaling, tick "do not upscale for TX0", colour and deep colour "Follow". For 10 Gbps displays (Epson 5040UB/TW9300/LS10500, Sony VW260/360/550) limit the output to 4K24 4:2:2 12-bit or 4K60 4:2:0, otherwise you get 8-bit banding. See manual: SCALER.
CONFIG tab (optional)
Enable the OSD "Rx flags" so the received format (LLDV) is shown on screen; set HDCP output to 1.4 for quicker syncs with older gear; use Export config when asking for help so others can see your exact values.
4. Source settings
- Apple TV 4K: Video & Audio → Format 4K Dolby Vision (24/30/60 Hz depending on your display's bandwidth; use 4K24 on 10 Gbps projectors). Match Content → Match Frame Rate ON. Match Dynamic Range OFF = everything (SDR and HDR10 too) is converted to LLDV; ON = SDR stays SDR, HDR10 stays HDR10, DV becomes LLDV — most projector owners prefer ON. Accept the "Dolby Vision test" pop-up after every EDID change. In Infuse keep "Match Dynamic Range" off or SDR files play in BT.709.
- Nvidia Shield TV Pro (2019): Settings → Display & Sound → Advanced (developer options) → Force LLDV. Converts only native DV titles; the 2017 Shield cannot.
- Xbox One X/S, Series X/S: enable Dolby Vision for video and games. Xbox always outputs player-led DV, so it will follow your Tmax — set HGiG/Game HDR on the TV to match.
- Oppo UDP-203 / 205: HDR = Dolby Vision, DV mode = Player-led; works from discs, BDMV and ISO (not MKV, not HDMI-in). Long-press "i" to confirm DV output.
- Sony UBP-X700 / X800M2 / X1100ES: HDR output Dolby Vision (forces LLDV; can convert SDR/HDR10 but hard-clips converted HDR10 at 1000 nits). Check with the Display button.
- Panasonic UB820 / UB9000: Dolby Vision ON; native DV discs only; HDR Optimiser is bypassed while DV is on; owners prefer 8000 rather than 10,000 nits to avoid white-out.
- Zidoo Z9X etc.: HDR = "Dolby Vision Low Latency (LLDV, YUV422)", VS10 ON for SDR/HDR conversion, Custom EDID OFF, 4K24–30 YUV444 10-bit, 4K50–60 YUV420 10-bit.
- Fire TV Stick 4K / Cube: Dynamic range "Always HDR" converts everything to LLDV (Cube gen 2 struggles with 24p).
5. Projector / TV settings
- Select the display's HDR10 / ST.2084 picture mode and a BT.2020 colour profile (DCI-P3 only if that is what you put in the DV block). Set colour space to BT.2020 rather than Auto and HDMI range to Full/Expanded where the menu offers it.
- Turn the display's own dynamic tone mapping OFF (JVC Frame Adapt, Sony Dynamic HDR Enhancer, LG/Samsung "Dynamic tone mapping"/"HDR Tone Mapping: Active", Epson leave Dynamic Contrast on) — the player has already done that job. Double tone mapping flattens highlights.
- Enable full-bandwidth HDMI on the port: Samsung Input Signal Plus (2016–18: HDMI UHD Color), LG Ultra HD Deep Colour, Sony Enhanced format, Panasonic HDMI HDR Setting, Vizio Full UHD Color, Hisense HDMI 2.0 Enhanced, Philips HDMI Ultra HD → Optimal.
- Older JVC X-series without automatic HDR switching must be put into the HDR mode manually or via an RS-232 macro; many owners load a custom gamma curve (e.g. a 1000-nit or 350/125-nit curve) instead of the built-in one.
- Tone-map matching trick (Epson LS12000 owners): set Tmax to ≈ the projector's real peak (300–350), leave the projector's HDR slider low, play a clipping pattern and raise contrast until only values above Tmax clip. The projector then passes the player's curve through untouched.
6. How to verify it's working
- The Vertex² OLED / INFO page shows e.g.
RX0: 4K23.976 422 BT2020 12b DV 297MHzor "LLDV" on the input andTX0: … HDR/ "HDR12" on the output. Enable the OSD Rx flags to see this on screen. - The projector's/TV's info screen shows HDR10 (or HDR), BT.2020, 12-bit. Oppo/Sony players show "Dolby Vision" as the output format.
- Test scenes owners use: The Meg ch. 8 (clouds), Aquaman ch. 6 (window), Mad Max: Fury Road, Blade Runner 2049, Spears & Munsil "Horses in the snow". Subtitles that change brightness between scene cuts prove dynamic tone mapping is active.
7. Projector list — recommended Vertex² LLDV settings
Every projector here supports HDR10 but not Dolby Vision (unless marked DV native), so the Vertex² LLDV method applies. Values are starting points collected from HDfury pages and owner reports; always fine-tune Tmax to taste. Owner = quoted from a real user, Official = HDfury/manufacturer, Starting point = derived from the generic recipe and the projector's specs (no public owner report found yet).
| Brand | Model | Native HDR | Vertex² settings | Display settings | Source | Notes |
|---|---|---|---|---|---|---|
| JVC | DLA-X5000 / X7000 / X9000 (RS400 / RS500 / RS600) | HDR10 | Custom EDID 5 or Automix + custom DV string; Tmax 330–1000 nits, BT.2020; do NOT force an HDR flag on the output – select HDR mode manually | HDR10 EOTF + Rec.2020 selected manually; custom gamma curve (e.g. 350/125-nit or 1000-nit Dominic Chan curve) in Custom 1 | Owner | No auto HDR switching on these models – use the RS-232 macro page to switch picture modes |
| JVC | DLA-X500R / X590R (RS420) | HDR10 | Automix + custom DV string, BT.2020, Tmax 300–1000 | Switch to HDR picture mode manually (image is undersaturated until you do); X500R users upload a BT.2020 + PQ custom curve (~60-nit peak white) | Owner | |
| JVC | DLA-X7500 / X9500 (RS520 / RS620) | HDR10 / HLG | DV datablock 1000 nits, BT.2020-2 custom string mapped to the calibrated HDR profile; HDR/AVI min/max fields have no effect on this JVC | HDR1000 picture mode; use RS-232 macros for mode switching instead of 'Use custom HDR when input is LLDV' | Owner | Reddish image reported with non-DV discs on X7500 – check primaries match your colour profile |
| JVC | DLA-X5900 / X7900 / X9900 (RS440 / RS540 / RS640, X790R / X990R) | HDR10 / HLG (static tone map) | Custom EDID 10 (BT.2020) to avoid red tint, or EDID 5 + custom DCI-P3 profile; Tmax 350–1200 | USER mode with custom P3 colour profile (colour filter) and a custom 1000–1200-nit HDR gamma curve; frame-rate resync can take up to 30 s | Owner | 'Terrible native HDR – LLDV is a big improvement' (X9900 owner) |
| JVC | DLA-N5 / NX5 (RS1000) | HDR10 / HLG + Frame Adapt HDR (DTM) | Automix + custom DV string, BT.2020, Tmax 400–1000 | HDR10 mode with Frame Adapt OFF when using LLDV (player already tone-maps); compare with native Frame Adapt – many owners find them close | Owner | Benefit is smaller on projectors that already have good dynamic tone mapping |
| JVC | DLA-N7 / NX7 (RS2000) | HDR10 / HLG + Frame Adapt | As N5; owner: Apple TV + Vertex² outperforms native DTM on 4000-nit titles | HDR10 mode, Frame Adapt OFF for LLDV | Owner | |
| JVC | DLA-NX9 (RS3000) | HDR10 / HLG + Frame Adapt | As N7; A1-style colour profiles used by owners | HDR10 mode, Frame Adapt OFF for LLDV | Owner | High-end owners often pair with Lumagen/madVR instead |
| JVC | DLA-NZ7 (RS2100) | HDR10 / HLG / HDR10+ (Frame Adapt added by firmware) | BT.2020 primaries, Tmax 1000, MaxCLL 1000 / MaxFALL 400 in custom HDR | HDR10 picture mode; picture 'significantly different' to native; Disney+ IMAX ratio switches re-trigger handshakes | Owner | Auto-calibration may need redoing after LLDV setup |
| JVC | DLA-NZ8 / NZ9 (RS3100 / RS4100) | HDR10 / HLG / HDR10+ + Frame Adapt | As NZ7 | HDR10 mode; Frame Adapt OFF when LLDV feeds it | Starting point | Discussed in JVC NZ owner threads |
| JVC | DLA-NP5 (RS1100) | HDR10 / HLG / HDR10+ | As NZ7 – BT.2020, Tmax 1000 | HDR10 mode | Starting point | No Frame Adapt at launch → LLDV is a real upgrade |
| JVC | DLA-NZ500 / NZ700 / NZ800 / NZ900 | HDR10 / HLG / HDR10+ + Frame Adapt Gen2 | BT.2020, Tmax 1000; optional | Native Frame Adapt is excellent – LLDV optional | Owner | Owners report autocal issues after switching to LLDV |
| Sony | VPL-VW260ES / VW285ES | HDR10 / HLG, no DTM, 13.5 Gbps | Automix + custom DV string; BT.2020 (P3 gives red tint – or type measured coordinates); Tmax 1000; output limited to 4K24 or 4:2:0 8-bit at 4K60 | Cinema Film 2, Contrast ~80, HDR mode 'HDR Reference' (not Auto), Colour space BT.2020, lower red bias if needed | Owner | Sony projectors ignore HDR metadata – only the DV tab matters |
| Sony | VPL-VW270ES / VW295ES | HDR10 / HLG | As VW285; owner: 'better blacks, no crush, natural colours' with UB820 | HDR Reference, BT.2020 | Owner | Apple TV frame skipping reported by one owner; Panasonic UB820 preferred |
| Sony | VPL-VW360ES / VW550ES | HDR10 / HLG, 13.5 Gbps | As VW285; use 4K24 12-bit 4:2:2 to avoid 8-bit banding at 4K60 | HDR Reference | Owner | |
| Sony | VPL-VW570ES / VW590ES | HDR10 / HLG, Dynamic HDR Enhancer | BT.2020, Tmax 1000, Tmin 0.005 | HDR Reference; Dynamic HDR Enhancer OFF when LLDV feeds it | Owner | |
| Sony | VPL-VW760ES / VW885ES (laser) | HDR10 / HLG | BT.2020 (constrain to DV primaries – Sony has a larger blue range), Tmax 1000 | HDR Reference | Owner | |
| Sony | VPL-VW790ES / VW915ES | HDR10 / HLG, Dynamic HDR Enhancer | DV tab: Low Latency 12-bit YCbCr 4:2:2, BT.2020 (P3 caused red tint), Tmax 1000, Tmin 0.005; HDR/AVI: 1000 / 0.005 / MaxCLL 1000 / MaxFALL 400 | HDR Reference; Enhancer OFF | Owner | Oppo 203 rock solid; Apple TV less stable for one owner |
| Sony | VPL-XW5000ES | HDR10 / HLG, ~95 % P3 | DV tab only: BT.2020 or P3 coordinates, Tmax 1000 | HDR Reference, Dynamic HDR Enhancer OFF | Starting point | Active LLDV discussion in XW owner threads |
| Sony | VPL-XW6000ES / XW7000ES | HDR10 / HLG | As XW5000 | HDR Reference, Enhancer OFF | Starting point | |
| Epson | EH-TW9400 / Home Cinema 5050UB / 6050UB / Pro Cinema 4050 | HDR10 / HLG, 18 Gbps | Custom DV string EB:01:46:D0:00:45:1B:81:56:98:A9:53 (BT.2020, 0.005–1000 nits); projector ignores HDR/AVI luminance fields | Brightness/Contrast 50, HDR slider 4–5, Gamma 2.4, Digital Cinema mode reduces red shift | Owner | 10,000-nit Tmax gives blown-out highlights – keep 1000 |
| Epson | Home Cinema 3800 | HDR10 / HLG | As 5050UB | HDR slider 4–5 | Starting point | Dedicated AVS thread for 3800/5050/6050 LLDV |
| Epson | EH-TW9300 / 5040UB / 6040UB / TW8300 / TW7300 | HDR10, 10.3 Gbps | BT.2020, Tmax 1000; output 4K24 12-bit 4:2:2 (4K60 max 4:2:0 8-bit) | Force HDR picture mode manually; HDMI Video Range 'Expanded', Colour Space BT.2020 | Owner | Set Apple TV to 4K24 to avoid banding |
| Epson | EH-TW7100 / TW7000 / Home Cinema 4010 | HDR10 / HLG | Automix + custom DV string, BT.2020, Tmax 1000 | HDR mode; 'works perfectly with Vertex² and Fire TV 4K' | Owner | Restart the source after every change or nothing seems to happen |
| Epson | EH-LS12000 / LS11000 | HDR10 / HLG / HDR10+ | BT.2020, DV Tmax ≈ 300–332 nits (matches the projector's real output), Tmin 0.005 | Dynamic mode, HDR slider 1, Contrast 65, Light output 50 %, Dynamic Contrast High Speed, Gamma −1; keep SDR as SDR | Owner | Low Tmax + low HDR slider lets the player do all the tone mapping |
| Epson | EH-LS10500 / LS10000 | HDR10, 10.3 Gbps | Custom EDID 5 (Sony A1 LLDV v2), HDR max luminance 100, scaler 4K60/4K30 ticked, colour/deep colour 'follow' | Auto HDR switching now works – no manual SDR/HDR toggling | Owner | |
| Epson | EH-LS800 (EpiqVision Ultra) / LS500 | HDR10 / HLG, UST | BT.2020, Tmax 500–1000; LS500 = 10 Gbps → 4K24 4:2:2 | HDR slider low | Starting point | Discussed in LS800 owner thread |
| Epson | Home Cinema 4000 / 2350 | HDR10 / HLG | Scaler 4K30 4:2:2 10b LLDV; BT.2020; custom HDR 100 nits; EDID 10 tested on the 2350 | HDR mode | Owner | Apple TV gave better results than Zidoo VS10 for one owner |
| BenQ | W2700 / HT3550 | HDR10 / HLG, 95 % P3 | BT.2020 (not P3) in the DV datablock; Tmax 1000 | HDR Brightness −2 (0 for HDR10); Cinema mode | Owner | Apple TV menus look washed out, films fine |
| BenQ | W5700 / HT5550 / W5550 | HDR10 / HLG, 100 % P3 | BT.2020 (try P3 if oversaturated); Tmax 1000–10,000 (BenQ reacts to HDR/AVI metadata) | HDR Brightness −2 | Owner | |
| BenQ | TK850 / TK850i | HDR10 / HLG | BT.2020, Tmax 1000 (10,000 for HDR/AVI tab) | HDR Brightness −2 (DV) / 0 (HDR10), Colour 0, Colour Enhance 16, Contrast 50 | Owner | |
| BenQ | LK990 (laser DLP) | HDR10 / HLG | DV datablock 10,000 nits BT.2020, Tmin 0.0005; HDR/AVI 10,000 nits | HDR curve −2 (SDR→LLDV) / 0 (HDR10→LLDV) / +2 (native DV), Brightness 50–52, Contrast 54–68, Brilliant Colour on | Owner | Reference setup published by HarperVision |
| BenQ | HT4550i / W4000i, X3000i, TK700STi, W1720 / HT3050 | HDR10 / HLG (W1720: HDR10 only), HDR-PRO static map | BT.2020, Tmax 1000 | HDR Brightness −2 / Light tuner low | Starting point | LLDV mentioned in HT4550i owner thread |
| Optoma | UHZ65 / UHD65 / UHD60 / UHD51A / UHD50 | HDR10 / HLG | Custom EDID 10 (BT.2020) – 'set and forget' | HDR picture mode; Dynamic Black to taste | Owner | UHZ65 owner compared favourably with madVR |
| Optoma | UHZ50 / UHD35 / UHD38 / UHD50X / CinemaX P2 | HDR10 / HLG, 18 Gbps | BT.2020, Tmax 1000 | HDR mode, HDR brightness low | Starting point | |
| LG | HU85LA CineBeam (UST laser) | HDR10 / HLG | DV range 0.005–1000 nits, BT.2020 default primaries | Auto tone mapping ON, other enhancements OFF | Owner | 1.1-gain white screen used by the reporting owner |
| LG | HU810P / AU810P CineBeam | HDR10 / HLG, 97 % P3 | BT.2020 or P3 coordinates, Tmax 1000 | Dynamic Tone Mapping ON/OFF to taste | Starting point | Dedicated AVS thread: 'HU/AU810P and HDfury for Dolby Vision LLDV' |
| LG | HU70LA / HU915Q / HU915QE | HDR10 / HLG | As HU85LA | Auto tone mapping ON | Starting point | |
| Samsung | LSP9T The Premiere (tri-laser UST) | HDR10 / HDR10+ / HLG, 106 % BT.2020 | Custom EDID 9 or 10 / Automix; DV datablock 10,000 nits BT.2020 (1000 for 4000-nit titles); HDR/AVI 10,000 nits; 'Use custom HDR when input is LLDV' ticked | Game mode, Contrast 42–64, Sharpness 8, Colour 25, Contrast Enhancer OFF, ST.2084 curve −3, Shadow detail 0, Gamut Native | Owner | Vertex² OLED shows LLDV on RX0 and HDR on TX0 when working |
| Samsung | LSP7T The Premiere | HDR10 / HDR10+ / HLG | As LSP9T with Tmax 1000–4000 | As LSP9T | Starting point | |
| Hisense | L9G / L5G / PX1 / 100L9H (HDR10/HDR10+) | HDR10 / HLG / HDR10+ | BT.2020, Tmax 600–1000 | HDR mode; note the inherent black level cannot be lowered | Owner | PX1-Pro / PX2 / PX3-Pro / C1 / C2 have native Dolby Vision |
| Hisense | PX1-Pro / PX2-Pro / PX3-Pro / C1 / C2 Ultra | Dolby Vision native | Optional – custom Tmax or force LLDV/HDR10 | Native DV mode | DV native | |
| XGIMI | Horizon Pro / Aura / Elfin | HDR10 / HLG | BT.2020, Tmax 500–1000 | HDR mode | Starting point | Horizon Ultra, Aura 2 and Horizon S Max have native DV |
| Formovie | Theater / Theater Premium | Dolby Vision native | Optional | Native DV | DV native | First UST with Dolby Vision |
| Anker Nebula | Cosmos Laser 4K | HDR10 / HLG | BT.2020, Tmax 500 | HDR mode | Starting point | Cosmos 4K SE has native DV |
| ViewSonic | X100-4K / X2-4K | HDR10 / HLG, 18 Gbps | BT.2020, Tmax 1000 | HDR mode | Starting point | |
| VAVA | 4K UST laser (VA-LT002) | HDR10 | Automix + custom DV string, Tmax 600 nits, saved as Custom EDID 10 and applied to input 0 | HDR mode | Owner | |
| Vivitek | HK2288 / HK2299 | HDR10 | BT.2020, Tmax 1000 | HDR mode | Owner | Listed as compatible in the AVForums LLDV thread |
| Dell | S718QL (UST laser) | HDR10 | BT.2020, Tmax 1000 | HDR mode | Owner | Confirmed compatible by an owner |
| Acer | VL7860 | HDR10 | BT.2020, Tmax 1000 | HDR mode | Starting point | |
| Sim2 / Barco | Nero 4S / Nero Dual / Crystal 4 · Balder / Njord / Loki | HDR10 / HLG (built-in DTM) | BT.2020, Tmax 1000 – LLDV largely unnecessary thanks to Perfect Fit / Pulse DTM | Turn built-in DTM off if using LLDV | Starting point |
8. TV list — recommended Vertex² LLDV settings
Peak-brightness figures are approximate 10 %-window values from published reviews (RTINGS, HDTVTest) — verify for your exact size. Rule of thumb used: Tmax = the panel's real peak (never 10,000 — that disables player tone mapping), Tmin 0.0005 for OLED / 0.05 for FALD LCD / 0.1 for edge-lit, BT.2020 primaries unless the panel covers less than ~85 % P3, and custom HDR MaxCLL = Tmax, MaxFALL ≈ 0.4 × Tmax so the TV's own tone mapper stays idle.
| Brand | Model | Native HDR | Peak nits | Vertex² settings | Display settings | Source | Notes |
|---|---|---|---|---|---|---|---|
| Samsung | S95B QD-OLED (2022) | HDR10 / HDR10+ / HLG | ≈1000 | Tmax 1000 · Tmin 0.0005 · BT.2020 · MaxCLL 1000 / MaxFALL 400 | Filmmaker/Movie, HDR Tone Mapping Static, Input Signal Plus ON, Game Mode + HGiG for consoles | Starting point | Dedicated AVS thread: DV on S95B via Apple TV 4K |
| Samsung | S95C QD-OLED (2023) | HDR10 / HDR10+ / HLG | ≈1300–1400 | Tmax 1300 · Tmin 0.0005 · BT.2020 | Filmmaker/Movie, HDR Tone Mapping Static, Input Signal Plus ON | Owner | 'It works with my Samsung S95C … 1300 nits peak instead of 1000' (Kodi forum, Arcana + Shield); 'LLDV on my Samsung S95C' (HDfury review) |
| Samsung | S95D / S95F QD-OLED (2024–25) | HDR10 / HDR10+ / HLG | ≈1700–2000 | Tmax 1700–2000 · Tmin 0.0005 · BT.2020 | As S95C; matte panel | Starting point | |
| Samsung | S90C / S90D / S90F QD-OLED | HDR10 / HDR10+ / HLG | ≈1000–1300 (QD) · ≈800 (WOLED sizes) | Tmax 1000–1200 · Tmin 0.0005 · BT.2020 | HDR Tone Mapping Static ('Active' hurts accuracy) | Starting point | |
| Samsung | S85D / S85F WOLED | HDR10 / HDR10+ / HLG | ≈600 | Tmax 600 · Tmin 0.0005 · BT.2020 | As above | Starting point | |
| Samsung | QN90A / QN90B / QN90C / QN90D / QN90F Neo QLED | HDR10 / HDR10+ / HLG | ≈1700–2000 | Tmax 1500–2000 · Tmin 0.05 · BT.2020 (≈93 % P3 → P3 also viable) | Movie/Filmmaker, Contrast Enhancer OFF, Local Dimming High, Input Signal Plus ON, Game Mode + HGiG | Starting point | HDfury discussed in QN90A owner thread |
| Samsung | QN95A / QN95B / QN95C / QN95D (One Connect flagship) | HDR10 / HDR10+ Adaptive / HLG | ≈2000 | Tmax 2000 · Tmin 0.05 · BT.2020 | As QN90 | Starting point | |
| Samsung | QN85A / QN85B / QN85C / QN85D | HDR10 / HDR10+ / HLG | ≈1000–1200 | Tmax 1000 · Tmin 0.1 · BT.2020 | As QN90 | Starting point | |
| Samsung | Q80T / Q80A / Q80B / Q80C / Q80D | HDR10 / HDR10+ / HLG | ≈700–900 | Tmax 800 · Tmin 0.05 · BT.2020 | Movie, Contrast Enhancer OFF, Input Signal Plus ON | Starting point | |
| Samsung | Q70T / Q70A / Q70B / Q70C / Q70D (edge-lit) | HDR10 / HDR10+ / HLG | ≈500–600 | Tmax 500 · Tmin 0.1 · BT.2020 or P3 (~90 % P3) | As Q80 | Starting point | |
| Samsung | Q60T / Q60A / Q60B / Q60C / Q60D (entry QLED) | HDR10 / HDR10+ / HLG | ≈450–550 | Tmax 450 · Tmin 0.1 · BT.2020 | As Q80 | Starting point | |
| Samsung | Q90R (2019) | HDR10 / HDR10+ / HLG | ≈1400–1500 | Tmax 1300–1500 · Tmin 0.05 · BT.2020 | Movie, Input Signal Plus ON, Sharpness ≤ 2 | Starting point | Discussed (not yet confirmed) in the AVForums Q90R thread |
| Samsung | Q80R / Q70R / Q60R (2019) | HDR10 / HDR10+ / HLG | ≈900 / 600 / 450 | Tmax 900 / 600 / 450 · BT.2020 | As Q90R | Starting point | |
| Samsung | Q9FN / Q8FN / Q7FN / Q6FN (2018) | HDR10 / HDR10+ / HLG | ≈2000 / 1400 / 1300 / 650 | Tmax 1500–2000 (Q9FN) · 1300 · 600 · Tmin 0.02 · BT.2020 | Movie, HDMI UHD Color / Input Signal Plus ON | Starting point | |
| Samsung | NU8000 / NU8500 (2018) | HDR10 / HDR10+ / HLG | ≈800 | Tmax 800 · Tmin 0.05 · BT.2020 or P3 | HDMI UHD Color ON | Starting point | |
| Samsung | NU7100 / RU7100 / TU7000 / TU8000 / AU8000 / CU8000 / DU8000 Crystal UHD | HDR10 / HDR10+ (2019+) / HLG | ≈250–350 | Tmax 300 · Tmin 0.1 · BT.2020 | Input Signal Plus ON | Starting point | Biggest gain on 300-nit panels is highlight roll-off |
| Samsung | RU8000 / RU9000 (2019) | HDR10 / HDR10+ / HLG | ≈400–450 | Tmax 400 · BT.2020 | Input Signal Plus ON | Starting point | |
| Samsung | Q9F / Q8C / Q7F / Q7C (2017 QLED) | HDR10 / HDR10+ (fw) / HLG | ≈1500 / 1400 / 1300 | Tmax 1300–1500 · Tmin 0.05 · BT.2020 | HDMI UHD Color ON | Starting point | |
| Samsung | MU8000 / MU9000 (2017) | HDR10 / HDR10+ (fw) / HLG | ≈700 / 1100 | Tmax 700 / 1100 · BT.2020 | HDMI UHD Color ON | Starting point | |
| Samsung | KS9800 / KS9500 / KS9000 / KS8500 / KS8000 SUHD (2016) | HDR10 (HDR10+ via later fw on some) | ≈1300–1500 | Tmax 1300–1400 · Tmin 0.05 · BT.2020 or P3 (≈95 % P3) | Movie, HDMI UHD Color ON, 'HDR+' (SDR→HDR upconverter) OFF | Starting point | |
| Samsung | KU7000 / KU6500 / KU6300 (2016) | HDR10 | ≈300–350 | Tmax 300 · BT.2020 | HDMI UHD Color ON | Starting point | |
| Samsung | The Frame LS03T / LS03A / LS03B / LS03C / LS03D | HDR10 / HDR10+ / HLG | ≈500–600 | Tmax 500 · Tmin 0.1 · BT.2020 | Input Signal Plus ON | Starting point | |
| Samsung | The Sero LS05T / LS05B · The Terrace LST7T / LST9T | HDR10 / HDR10+ / HLG | ≈450 · ≈1600–2000 | Tmax 450 · Tmax 1500 · BT.2020 | Input Signal Plus ON | Starting point | |
| Samsung | Q900R 8K (2018) | HDR10 / HDR10+ / HLG | ≈1600–2000 | Tmax 1500–2000 · BT.2020 · keep DV interface at 12-bit 4:2:2 (12-bit 4:4:4 is not accepted as HDR) | Input Signal Plus ON | Owner | Owner: TV only switches to HDR with 12-bit 4:2:2/4:2:0, not 4:4:4 |
| Samsung | QN900A/B/C/D · QN800A/B/C/D · QN700B/C 8K Neo QLED | HDR10 / HDR10+ / HLG | ≈2000–2500 · ≈1400 · ≈1000 | Tmax 2000 / 1200 / 1000 · Tmin 0.02 · BT.2020 | As QN90; Vertex² outputs 4K – the TV upscales | Starting point | |
| Sony | X930D / X940D (2016) | HDR10 (HLG via fw) | ≈1000 (65"), ≈700 (55") | Tmax 1000 / 700 · Tmin 0.05 · BT.2020 | Cinema Pro, HDMI 'Enhanced format' ON, X-tended Dynamic Range High | Starting point | DV/HDfury discussed in the AVS X930D owner thread |
| Sony | X850D / X800D / X750D / X700D (2016) | HDR10 | ≈300–450 | Tmax 400 · Tmin 0.1 · BT.2020 | Enhanced format ON | Starting point | |
| Sony | Z9D (2016, pre-DV firmware / HDMI-DV limited) | HDR10 / HLG (DV apps-only update in 2018) | ≈1800 | Tmax 1500–1800 · Tmin 0.005 · BT.2020 | Enhanced format ON | Starting point | LLDV is the way to get DV from external sources on HDMI-limited units |
| Sony | X800E / X720E / X690E (2017) · X800G / X750F / X690F · X700H / X750H | HDR10 / HLG (no DV on these tiers) | ≈300–400 | Tmax 300–350 · BT.2020 | Enhanced format ON | Starting point | |
| LG | UH6100 / UH6150 / UH6500 'HDR Pro' (2016) | HDR10 | ≈300–350 | Tmax 300 · Tmin 0.1 · BT.2020 | Ultra HD Deep Colour ON, Cinema/Expert mode | Starting point | |
| LG | UJ63/65/77 (2017) · UK63/65 (2018) · UM73/80 (2019) · UN73/85 (2020) · UP70/80 (2021) · UQ75/80/90 (2022) · UR80/90 (2023) · UT80 (2024) | HDR10 / HLG ('HDR10 Pro') | ≈280–400 | Tmax 300–350 · Tmin 0.1 · BT.2020 or P3 (only ~80–85 % P3) | Ultra HD Deep Colour ON, Dynamic Tone Mapping OFF, Game Optimizer for consoles | Starting point | |
| LG | NANO75 / NANO80 · QNED75 / QNED80 (4K) | HDR10 / HLG (DV starts at NANO85 / QNED85) | ≈300–500 | Tmax 400–500 · Tmin 0.1 · BT.2020 | Dynamic Tone Mapping OFF, Ultra HD Deep Colour ON | Starting point | |
| Panasonic | TX-65DX902 / DX900 (2016) | HDR10 (HLG via fw) | ≈1000 | Tmax 1000 · Tmin 0.05 · BT.2020 | HDMI HDR Setting ON, Professional 1 | Starting point | |
| Panasonic | DX802 / DX750 / DX700 / DX650 (2016) | HDR10 | ≈350–600 | Tmax 350–500 · BT.2020 | HDMI HDR Setting ON | Owner | 'Yes, definitely works with a TV' – answer to a DX750 owner on AVForums |
| Panasonic | EZ1002 / EZ952 OLED (2017) | HDR10 / HLG | ≈750–800 | Tmax 750 · Tmin 0.0005 · BT.2020 | HDMI HDR Setting ON, True Cinema/Professional | Starting point | |
| Panasonic | EX750 / EX780 / EX802 / EX700 (2017) | HDR10 / HLG | ≈450–600 | Tmax 500 · BT.2020 | HDMI HDR Setting ON | Starting point | |
| Panasonic | FZ802 / FZ952 / FZ1000 OLED · FX780 / FX800 (2018) | HDR10 / HDR10+ / HLG | ≈800 (FZ) · ≈600 (FX) | Tmax 800 · Tmin 0.0005 (OLED) · BT.2020 | HDMI HDR Setting ON, HDR Brightness Enhancer OFF | Owner | Owner runs Fire TV Cube → Marantz → HDfury → 55FZ950 |
| Philips | 7601 / 8601 / POS9002 OLED / PUS7101 / PUS6401 (2016–17) | HDR10 (+HLG on 2017) | ≈300–700 | Tmax 350–700 · BT.2020 | HDMI Ultra HD 'Optimal', HDR Perfect / Perfect Natural Reality OFF | Starting point | DV only from OLED803/903 (2018) firmware onward |
| Philips | PUS7303 / 7503 / 8503 (2018) · PUS6xxx / 7xxx (2019–22 budget) | HDR10 / HDR10+ / HLG | ≈300–500 | Tmax 400 · BT.2020 | HDMI Ultra HD 'Optimal' | Starting point | |
| Hisense | H9E / H9E Plus / H8E (2018) | HDR10 (+HDR10+ on H9E Plus) | ≈450–900 | Tmax 400–800 · BT.2020 | HDMI 2.0 format 'Enhanced', Theater Night | Starting point | |
| Hisense | H8F (2019) · U7A / U8A / U9A (EU 2018) · U7B (EU 2019) | HDR10 / HDR10+ / HLG | ≈500–1000 | Tmax 500–1000 · BT.2020 | Enhanced HDMI format | Starting point | |
| Hisense | H6 / H65 · A6 / A7 series (2018–21, non-DV regions) | HDR10 / HLG | ≈250–300 | Tmax 300 · BT.2020 or P3 | Enhanced HDMI format | Starting point | |
| TCL | 4-Series S405 / S425 / S435 / S446 / S455 (US) | HDR10 / HLG | ≈250–300 | Tmax 250–300 · Tmin 0.1 · DCI-P3 primaries (~75–80 % P3) | HDMI mode 2.0, Game mode | Starting point | |
| TCL | UP130 / UP120 (2016) · C70 / C76 / P66 (EU 2017) · S517 / S515 non-DV variants · 3-Series 4K | HDR10 | ≈250–400 | Tmax 250–350 · BT.2020 or P3 | HDMI 2.0 mode | Starting point | |
| Vizio | E-Series 4K 2017 (E50-E1 … E70-E3) · E-Series / D-Series 4K 2018 (E43/50/55/65-F1, D50-F1) | HDR10 (HLG on 2018) | ≈350–400 | Tmax 350 · Tmin 0.05 · BT.2020 | Full UHD Color ON per HDMI input | Starting point | 2016 P/M-Series already have DV |
| Sharp | N7000U / N8000U (2016–17) | HDR10 | ≈400 | Tmax 400 · BT.2020 | HDMI 2.0 Enhanced | Starting point | |
| Toshiba | 4K Fire TV Edition LF711U20 / LF621U19 · UK U58 / U68 / U78 (2018–20) | HDR10 / HLG | ≈300–350 | Tmax 300 · P3 | HDMI mode Enhanced | Starting point | DV arrived with the 2021 C350 / M550 |
| Xiaomi | Mi TV 4 / 4S / 4A 4K (2017–19) | HDR10 (HLG some) | ≈300–350 | Tmax 300 · P3 | HDMI 2.0 enhanced | Starting point | |
| Insignia / Element / Westinghouse | Fire TV & Roku 4K HDR sets (2018–20) | HDR10 | ≈250–300 | Tmax 250 · P3 | — | Starting point | |
| LG (DV native) | OLED B/C/G/E/W series 2016–2025, NANO85+/QNED85+ | Dolby Vision native | ≈600–1500 | Optional: force LLDV (12-bit 4:2:2 EDID, e.g. bank 8 'LG C8 LLDV') for lowest-lag DV gaming, or strip DV to force HDR10 | Native DV mode / HDR Game | DV native | Vertex² is 18 Gbps – 4K120 DV gaming needs VRROOM |
| Sony (DV native) | A80/A90/A95 OLED, X90/X95 (2017+ X900E/X930E/X940E/A1E after fw) | Dolby Vision native | ≈700–1500 | Optional: custom Tmax, force LLDV or HDR10 | Native DV mode | DV native | |
| Panasonic / TCL / Hisense (DV native) | GZ/HZ/JZ/LZ/MZ OLED, GX800+, TCL C-series, Hisense U7/U8 (2020+) | Dolby Vision native | ≈500–2000 | Optional: custom Tmax, force LLDV or HDR10, HLG→HDR | Native DV mode | DV native |
9. What Vertex² adds on TVs that already have Dolby Vision
- Force LLDV instead of TV-led DV: choose a Custom DV string / EDID that advertises only the low-latency interface (bank 8 "LG C8 LLDV" is an example). The player composes the picture and the TV stays in its fastest HDR path — useful for Xbox Series X Dolby Vision gaming where the TV's DV game mode adds lag. To keep TV-led DV, use Automix with the custom DV string unticked.
- Force HDR10 instead of DV / strip DV: remove the DV block from the EDID and the source falls back to HDR10 — handy when a TV's DV mode is dimmer, laggier or buggy for a particular app.
- Custom Tmax/Tmin: ask the player for a 1000-nit target on an 800-nit OLED for brighter mid-tones, or lower it to protect highlights; set Tmin 0.0005 for OLED.
- HDR10 boost and HLG → HDR: raise or lower MaxCLL/MaxFALL in real time, or translate HLG broadcasts to HDR10 for displays without HLG.
- "RGB 8-bit" during DV is normal: TV-led DV modes 0 and 1 travel inside an 8-bit RGB container; the Vertex² reporting 8-bit is not a downgrade. LLDV is real 12-bit 4:2:2 and is processed at 12-bit, never clipped.
- Bandwidth note: the Vertex² is an 18 Gbps device — 4K60 DV/LLDV is fine, 4K120 DV gaming needs the 40 Gbps HDfury VRROOM.
10. Samsung-specific notes
No Samsung TV supports Dolby Vision — they use HDR10+ instead — which makes Samsung owners the biggest group using LLDV for DV-only titles (iTunes/Apple TV+ DV, Netflix DV profile 5, Disney+, Xbox DV games). Reports from S95C (Arcana + Shield, "1300 nits peak instead of 1000"), The Premiere LSP9T (Vertex²) and Q900R owners confirm the TV accepts the 12-bit 4:2:2 LLDV stream as HDR10.
- Input Signal Plus must be ON for the HDMI port (2016–18 sets: "HDMI UHD Color"), otherwise the port is limited to 8-bit and the HDR flag is rejected.
- Keep the DV interface at 12-bit YCbCr 4:2:2: 8K Q900R owners found the TV refuses to enter HDR with 12-bit 4:4:4.
- Picture: Filmmaker or Movie, HDR Tone Mapping = Static on 2023+ sets ("Active" flares highlights), Contrast Enhancer OFF, on 2016–19 sets switch HDR+ (the SDR→HDR upconverter) OFF. Gaming: Game Mode + Game HDR/HGiG set to your Tmax.
- HDR10+ content (Fire TV, Samsung apps, Apple TV 4K 2022 for some titles) already gets dynamic metadata natively — keep "Use custom HDR when input is LLDV" (LLDV-only trigger) rather than an always-on custom HDR, so HDR10+ passes untouched. Xbox has no HDR10+ at all, so LLDV via Vertex² is the only dynamic path for Xbox on Samsung.
11. Troubleshooting & gotchas
- Nothing changed after editing: you must restart the source after every EDID/DV change (Apple TV: accept the DV test). The DV tab form resets on reload — the values are stored in the EDID.
- Red / magenta tint, red skin tones (typical with Apple TV or Sony X800M2): DCI-P3 primaries in the EDID. Use EDID 10 or BT.2020 in both the DV and HDR tabs, or match the display's calibrated P3 profile; BenQ: HDR Brightness −2; Sony: lower red bias.
- Pink screen / stayed SDR: the display received TV-led DV (RGB tunnelling) or no HDR flag. Make sure the EDID advertises LLDV (Sony A1-type, not an LG DV EDID) and "Use custom HDR when input is LLDV" is ticked.
- Washed-out, dull or clipped highlights: Tmax too high (10,000 hands tone mapping to the display) or too low (100 nits on a projector caused "improper tone mapping"); Panasonic players white out at 10,000 — use 8000; Sony X800M2 clips converted HDR10 at 1000.
- Crushed or raised blacks: Tmin 0 — use 0.001–0.005 (0.0005 on OLED).
- SDR looks oversaturated: everything is being converted to LLDV while the display's HDR mode is set to Auto — use Apple TV "Match Dynamic Range ON" or the Vertex² LLDV-only trigger.
- AVR in the chain kills LLDV: some receivers/soundbars (e.g. Sony HT-NT5) strip or rewrite the DV block. Connect sources to the Vertex² inputs, the display to TX0 and the AVR to the dedicated audio output.
- Banding / dropouts: 4K60 12-bit 4:2:2 is a full 18 Gbps signal — use certified or fibre cables; 10 Gbps projectors need 4K24 or 4:2:0. Active/fibre cables draw HDMI 5 V — use the supplied PSU.
- Apple TV outputs full DV instead of LLDV when a Dolby Vision TV is connected on TX1 at the same time as the projector on TX0 — unplug the TV or use a fixed Custom EDID.
- Long sync times / black screens on frame-rate changes (JVC up to 30–70 s, Disney+ IMAX aspect switches on NZ7): set Apple TV to a fixed frame rate or HDCP 1.4 output.
- Consoles with HDR10-only games cannot get dynamic tone mapping from metadata injection — LLDV needs a source that renders DV.
- Compatibility issues after a firmware update: re-check that the DV flag and "custom HDR when LLDV" are still enabled — updates and resets can revert them.
12. FAQ
Does this give my projector "real" Dolby Vision?
It gives you Dolby Vision's dynamic, per-scene tone mapping, performed by the player against the limits you set for your display. The display itself still runs in HDR10 mode. For projectors and HDR10-only TVs that is the only way to get DV content's dynamic metadata used at all.
Which Vertex² EDID should I start with?
Custom EDID 10 (Sony A1 LLDV BT2020). Switch to Automix + custom DV string when you want your own Tmax/Tmin.
Which Tmax value?
1000 nits is the universal starting point. Projector owners then reduce it toward the real peak (300–600); bright DLPs and Samsung Premiere go higher. Never 10,000 unless you deliberately want the display to do the tone mapping.
Can a cheap EDID-spoofing splitter do the same?
A €25 EDID-flashable splitter can trigger LLDV, but it cannot rewrite the HDR infoframe, set Tmax per input, switch EDIDs per source or drive RS-232 macros — which is exactly what makes the result usable on a projector.
Does it work with HDR10+?
HDR10+ passes through untouched as long as you use the LLDV-only trigger. Samsung owners typically run LLDV for DV-only titles and native HDR10+ for everything else.
Does the Vertex² add lag?
Under 1 ms. LLDV itself is Dolby's low-latency profile, designed for gaming.
13. Sources
- HDfury – Add DV support to any HDR10 display (official method & source list)
- HDfury – Dolby Vision LLDV not working (official troubleshooting)
- AVForums – Dolby Vision, including HDR10 conversion with DTM on projectors? Yes! (83-page owner thread; JPBoggis, HarperVision, Kento and others)
- AVS Forum – HDfury Vertex2 owner's thread (Vollans setup guide)
- AVS Forum – Epson 3800/5050/6050 and Dolby Vision LLDV
- AVS Forum – Epson LS11000/LS12000 LLDV enablement and tuning
- AVS Forum – LG HU/AU810P and HDfury for Dolby Vision LLDV
- AVForums – Epson LS11000/12000 owners (LLDV values)
- AVForums – Samsung LSP9T The Premiere with Vertex² LLDV
- AVForums – JVC NZ7 + HDfury + Zidoo
- AVForums – LLDV on Epson HC4000
- Kodi forum – LLDV on Samsung S95C
- Samsung Community – HDR only with Input Signal Plus / 12-bit 4:2:2
- StereoNET – Vertex2 Dolby Vision for JVC X7900
- Home Theater Substack – Dolby Vision on projectors (LLDV), incl. critical colour-accuracy measurements
Settings marked "starting point" have not been confirmed by a public owner report; tell us your results and we will add them.
Get Dolby Vision on your HDR10 display
One Vertex², one EDID change — and every DV title is tone-mapped for your projector or TV.
Buy HDfury Vertex² Open the online manual